It’s not often you can sit in front of a screen for two hours and
listen to about 1/2 the normal amount of dialogue in a film… and yet
still be immensely captivated by the images and story portrayed. Drive,
starring Ryan Gosling, presents a gripping yet simplistic tale about a
lonely stunt man by day, get-away driver by night who befriends his
beautiful neighbor (played by Carey Mulligan) and her son. At first,
Drive begins with sweeping slow motion and brooding silence from Ryan’s
character but then unravels into a dark, violent, and borderline
exploitative film- in an incredibly gripping way. From beginning to end,
the film takes over and brings you on a amazing journey.
Four stars! * * * *
Monday, 23 July 2012
Dark Knight Rises- A Pretty Building With No Foundation
Like the foolish man who builds his house upon the sand, Christopher
Nolan attempts to fool his audience into believing the great illusion of
Hollywood- That talented and attractive actors set against a
beautifully crafted aesthetic, make up for a lack of story telling
wrought with transparent dialogue and shoddy editing.
Dark Knight Rises misses its mark by fatally investing three things: past success drowned in hype, monologues, and flashbacks. All are used to insult the audience by reminding them of what they have enjoyed about the Batman series in the past. Nolan literally grabs aspects directly from Batman Begins (i.e. Bruce Wayne becoming re-born again after a stint of isolation and captivity and the actual ghost of Ra’s Al Ghul) and tries to re-purpose them to mask the holes within his “story”.
As remarked upon before, it is undeniable that Wally Pfister (DOP) is a man of his craft and that the actors in this film were cast ingeniously. The solid performances of Michael Caine and Gary Oldman are quite comforting like mom’s chicken noodle soup. But the most pleasant surprise of all is the superb portrayal of Selena Kyle from the talented Anne Hathaway- her natural delivery attempts to add to the much lacking depth. However, it is worth mentioning the disappointment of seeing Bane, the man who broke the bat, reduced to a love sick puppy with asthma and Boy Wonder “Robin” foreshadowed as not Dick Grayson but a nameless John Blake.
So while I calmly remove Mr Nolan’s hand from my wallet, I quietly celebrate that this hopefully will be the final chapter for the caped crusader but I have no plans to hold my breath.
Dark Knight Rises misses its mark by fatally investing three things: past success drowned in hype, monologues, and flashbacks. All are used to insult the audience by reminding them of what they have enjoyed about the Batman series in the past. Nolan literally grabs aspects directly from Batman Begins (i.e. Bruce Wayne becoming re-born again after a stint of isolation and captivity and the actual ghost of Ra’s Al Ghul) and tries to re-purpose them to mask the holes within his “story”.
As remarked upon before, it is undeniable that Wally Pfister (DOP) is a man of his craft and that the actors in this film were cast ingeniously. The solid performances of Michael Caine and Gary Oldman are quite comforting like mom’s chicken noodle soup. But the most pleasant surprise of all is the superb portrayal of Selena Kyle from the talented Anne Hathaway- her natural delivery attempts to add to the much lacking depth. However, it is worth mentioning the disappointment of seeing Bane, the man who broke the bat, reduced to a love sick puppy with asthma and Boy Wonder “Robin” foreshadowed as not Dick Grayson but a nameless John Blake.
So while I calmly remove Mr Nolan’s hand from my wallet, I quietly celebrate that this hopefully will be the final chapter for the caped crusader but I have no plans to hold my breath.
Subscribe to:
Comments (Atom)

