Dark Knight Rises- A Pretty Building With No Foundation

Like the foolish man who builds his house upon the sand, Christopher Nolan attempts to fool his audience into believing the great illusion of Hollywood- That talented and attractive actors set against a beautifully crafted aesthetic, make up for a lack of story telling wrought with transparent dialogue and shoddy editing.

Dark Knight Rises misses its mark by fatally investing three things: past success drowned in hype, monologues, and flashbacks. All are used to insult the audience by reminding them of what they have enjoyed about the Batman series in the past. Nolan literally grabs aspects directly from Batman Begins (i.e. Bruce Wayne becoming re-born again after a stint of isolation and captivity and the actual ghost of Ra’s Al Ghul) and tries to re-purpose them to mask the holes within his “story”.

As remarked upon before, it is undeniable that Wally Pfister (DOP) is a man of his craft and that the actors in this film were cast ingeniously. The solid performances of Michael Caine and Gary Oldman are quite comforting like mom’s chicken noodle soup. But the most pleasant surprise of all is the superb portrayal of Selena Kyle from the talented Anne Hathaway- her natural delivery attempts to add to the much lacking depth. However, it is worth mentioning the disappointment of seeing Bane, the man who broke the bat, reduced to a love sick puppy with asthma and Boy Wonder “Robin” foreshadowed as not Dick Grayson but a nameless John Blake.

So while I calmly remove Mr Nolan’s hand from my wallet, I quietly celebrate that this hopefully will be the final chapter for the caped crusader but I have no plans to hold my breath.